Catfish & Gobelins Works
Catfish
On Catfish, Aurélie was involved in the majority of the film's production stages, including writing, environment design, 3D set base modeling, 2D background layout, animation and compositing, but also organizing the project pipeline and creating reference documents for colour animation and compositing.
Environment concepts
Sketches, plans & distortions of Elise's old house
Sketches & distortions of the new apartment and Elise's old house
Concepts of the city, the suburbs & the nightmare
Other concepts
Roger explorations (cat & fish)
First version of the colourscript
3D environments
Elise's old house in 3D in Blender (Objects from BlenderKit)
Elise's new apartment in 3D in Blender (Objects from BlenderKit)
2D background layouts
Selection of 2D Photoshop background layouts made from 3D reference models
Animation
Compositing
Field of Stars
Experimentation with EbSynth to apply a watercolor rendering to an animation created in TVPaint.
Watercolor tests and character design
Process showing the basic animation in TVPaint, the images re-painted in Photoshop then applied over the entire sequence with EbSynth and the final version composited.
Cartoon Violence
2D -3D animation exercise with lipsync.
3D Maya base, layout and colour backgrounds
The Tale of the Moon Illuminator
Artistic direction for a project based on the tale of Josaphat-le-Violin in the novel “La grosse femme d’à côté est enceinte” (1978) by Michel Tremblay.
Colourscript
Sketches, turn around, poses and construction for Josaphat
Styleframe & background
Nemesis Battlefield Volume 16
Backgrounds painted from 3D bases for the scifi short film Nemesis Battlefield Volume 16 by Neeraj Bhattacharjee, Saurabh Vashistha, Ran Fang, Richard Musinguzi & David Cisneros.
